Director : Luc Besson
Starring : Jean Reno, Gary Oldman and Natalie Portman
When you think about it, this is the story of a hit man who falls in love with a 12-year-old girl; hardly a stone that can be cast in the cinematic pond, without a ripple or two worrying the studio. Several cuts were made both in the shooting script and after production to ensure this relationship between the killer and his charge remained fatherly. I have to imagine that thankfully the film is much better for it, and
In the capable hands of the matchless visual stylist Luc Besson, we get enough finesse and imaginative direction to more than make up for the conceptual idiosyncrasies that have plagued his career. Set in a series of grimy
This is one of the first films I enjoyed where the Hitman was successfully personified as being more than his career. The film may have a well-groomed director of photography, it may have stylistic confidence, but does it have a convincingly slight characterization at its focal point?
Gary Oldman is as excellent as we come to expect from him, absolutely doing his nut (even by his lofty standards) as the greasy, pill-popping bent copper with the dry voice and a partiality to Beethoven. Jean Reno displays both cuddly and merciless sides which never sit too comfortably. The breakthrough performance is from Natalie Portman, conveying innocents and manipulative smarts in equal measures,
This is a rare combination of disparate elements that somehow work wonderfully. A ready sense of humour and portions of blistering suspense make